in communications and design from Northern Illinois University. Kristina Fluty is the intimacy and violence choreographer. When they mate on the kitchen table, it is like wild animals.What made the show so effective is the combination of emotional and political risk in both the acting and the writing. Directed by Yael Farber. He is trying to keep the squatters off his land, even though, as John says, “By law they have the right to live here—if their parents did. Advertisement. It's impossible to tear your eyes away.A devastating reinvention. Romeo and Juliet gone awry: Bongile Mantsai as John and Hilda Cronje as Julie All images by William Burdett-Coutts.

This Strindberg play hasn't just been updated, it's been immortalised Miss Julie has never raged quite so fiercely as she does in this searing and fearless new version by Yael Farber, which reinvents Strindberg's play and transposes it to modern South Africa. Genuinely combustible performances. “Mies Julie” is a tense story of a country undergoing political and social revolution, symbolized by the two leading characters: a white woman and a black man. It will enthrall your attention and leave you with many questions to ponder. Dialect coaching is by Phil Timberlake. It removes much of the ambiguity from the original text, giving it a definite stance on the class and gender issues. Produced by Cape Town's Baxter Theatre, it thrums with menace and passion. With its dense dryness ; sudden, rare, fragrant and violent storms ; consistently devastating poverty of its black inhabitants, and “smallness” of social life eeked out beneath vast, overwhelmingly beautiful skies – the Karoo remains (despite South Africa’s 18 years of democracy - a bastion of enduring socio-political conservatism. Nancy, recently retired after 30+ years in corporate marketing and PR, holds a B.J. Most interesting, perhaps, is how we come to terms with what has formed our cultural identities and how they are inextricably bound in this red soil. She sings and plays music that adds a mournful and foreboding mood.The play’s central plotline is the story of Julie and John, but the racial history of land ownership and apartheid looms over everything. A sensational new version. These cookies will be stored in your browser only with your consent. This is a fierce, jarring, and triumphantly realised production that speaks to important social and political themes. 27 of 1913 and The Immorality Act No. On occasion, the actors leap across the stage or onto furniture as their conversations become heated.Patrick Curtis’ set fits perfectly with the brooding tension of the play. The characters sometimes speak in Afrikaans or Isixhosa, the language of John and Christine’s people.Bullard’s direction keeps this 75-minute story in motion. John is trapped: despite his apparent desire for her, he knows that having sex with Julie would jeopardise him and his mother’s employment, as Julie’s father would be certain to fire them, or worse. by David Nice Tuesday, 12 March 2013.

For me, these include Marry Zimmerman’s Metamorphosis (Looking Glass Theatre, NYC), Amarillo by Teatro Linea de Sombra (Mexico @ PuSH Festival) and Yellow Moon (Theatre de la Manufacture, Montreal) and now Mies Julie.This is a visceral updating of Strindberg’s Miss Julie, adapted to contemporary struggles of South Africa. And how do we ever address what is now so entrenched in our fragile economy? The chemistry between Cronje and Mantsai is startlingly impressive, their quick and vital interactions ensure that the show is smooth and pacy. Adding race and land rights to Strindberg's sex and class war improves on the original and packs such a punch, you wonder why it hasn't been done before. The workers are celebrating Freedom tonight, but there is anger on the wind out there.”Julie is lonely and bored and wants to go out and dance with the locals who are celebrating. … As the audience watch, transfixed, these tensions rise to a combustible boil.Such an intensely character-driven piece demands phenomenal acting, and in this regard the show does not disappoint. Blazingly intense, Mies Julie is a visceral and superbly executed play about race, sexuality, and power. Director Dexter Bullard never lets the tension subside, from the first moment that Julie (Heather Chrisler) and John (Jalen Gilbert) are alone in the farm kitchen.

Unequal power dynamics have haunted their relationship, and yet both characters are confined by their social status. Mies Julie is on until 27 August 2017 at the Assembly Rooms, Edinburgh. The two main characters are locked in a dance of desire and passion using all they can to hurt, wound and destroy each other. from the University of Missouri and an M.A.

Hilda Cronjé and Bongile Mantsai are both outstanding. Snow flurries outside, steam heat within. The Immorality Act of 1927 prohibited sexual relations between whites (“Europeans”) and people of other races. What becomes clear are the atomic bonds – equal push and pull – between Mies Julie (Hilde Cronje) and her servant John (Bongile Mantsai). We also use third-party cookies that help us analyze and understand how you use this website. The Dance of Death, reviewed by Elyse Sommer.
John (Bongile Mantsai) and Julie (Hilda Cronje) have grown up side-by-side: Julie as the white daughter of a wealthy farmer and John as the black son of the farmer’s housekeeper. Many of the farmsteads in the Karoo today, still bear such poetically desolate original Old Dutch names. Desperate to leave the land they were raised on together and start anew and desperate to individually hold on to what is theirs by right.

Rosemary Waugh. You also have the option to opt-out of these cookies. The violence and desire between mistress and servant has never been more furious, steaming or convincing.Features a heart-breaking performance by Hilda Cronje. We'll assume you're ok with this, but you can opt-out if you wish. The use of opposites was consistent through the piece; a naturalistic text with a heightened set (a table, a stool, a stove and tree breaking through the floor); the actors’ performances were raw, risky and unclean then contained with very specific movement and dance elements. But opting out of some of these cookies may have an effect on your browsing experience.This website uses cookies to improve your experience. At other times Julie seems infuriatingly oblivious to her white privilege and to the on-going impacts of colonialism.

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