a table”) and several interiors (women’s arms in the lamplight, At the beginning of the poem, Prufrock makes references to Michelangelo. © 2020 eNotes.com, Inc. All Rights Reserved. Nor is it clear what he desires to do with time, for Prufrock’s aims are scattered and abstract: “time / To prepare a face to meet the faces that you meet,” “time to murder and create,” and “time yet for a hundred indecisions.” He has limited time to act, but he desires more time to dither and revise. “The Love Song of J. Alfred Prufrock” is, perhaps, not a traditional love song—Prufrock’s longing runs throughout the poem but is neatly concealed, his despair projected elsewhere. Prufrock visits a party of sophisticated women who “come and go / Talking of Michelangelo,” but he feels self-conscious of his slender, balding appearance. is shattered: “we drown.” With this single line, Eliot dismantles These descriptors allow the reader to associate Prufrock's emotional state with outside references. Which, in short, annotate expressions of indecision. created an “attendant lord,” may now go on to create another Hamlet. Throughout the poem, the allusions preset in the text provide the reader with underling descriptors. Third, the primary focus is the "The Love Song of J. Alfred Prufrock" is a poem written by T.S. use of fragmentation and juxtaposition. First, it is strongly influenced by the the same kind of individual Eliot creates with Prufrock: the moody, “Prufrock” is a carefully structured amalgamation of poetic forms. The last line of the poem suggests otherwise—that Implicit in this, of course, is the suggestion that Eliot, who has Eliot’s “The Love Song of J. Alfred Prufrock” begins with an epigraph from Dante’s Inferno that sets a tone of both despair and candor. This indicates that he has some emotional reserve for how others perceive him. art; at best, it suggests that fragments may become reintegrated, The speaker is so alone and... What is the summary of "The Love Song of J. Alfred Prufrock"? This poem, the earliest of Eliot’s major works, was completedin 1910 or 1911 butnot published until 1915.It is an examination of the tortured psyche of the prototypicalmodern man—overeducated, eloquent, neurotic, and emotionally stilted.Prufrock, the poem’s speaker, seems to be addressing a potentiallover, with whom he would like to “force the moment to its crisis”by somehow consummating their relationship. The scene suddenly shifts back to the parlor of sophisticated women “talking of Michelangelo.” By this point, the narrative structure of the poem is more a series of fragments, connected only by the order in which they pass through Prufrock’s consciousness. By Eliot's standard… of this work is the use of refrains. Our summaries and analyses are written by experts, and your questions are answered by real teachers. floor. First, they are the In its focus on character and its dramatic sensibility, “Prufrock” that Hamlet is still relevant to us and that we lover, with whom he would like to “force the moment to its crisis” powerful for its range of intellectual reference and also for the a dark one) rather than just leading nowhere. Time Eliot started writing "Prufrock Among the Women" in 1909 as a graduate student at Harvard. This reveals to the reader Prufrock's emotional vulnerability to other people's opinions. Let us remind ourselves of the context of this quote. The “overwhelming question” figures as a recurring obsession, one which so lurks over his thoughts that Prufrock imagines that the streets he walks down lead to that very question. The rhyme scheme of this poem is irregular but not random. beauty of the poem (the yellow smoke and the hair-covered arms of his use of the technique changes in important ways across his body not published until 1915. to the “women [who] come and go / Talking of Michelangelo” and his

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